Inspite of the overwhelming heterosexuality of main-stream news representations…

Inspite of the overwhelming heterosexuality of main-stream news representations…

Regardless of the overwhelming heterosexuality of main-stream news representations, portrayals of homosexual and lesbian individuals on tv have grown to be notably more prevalent since 1997 whenever Ellen became the initial tv program to own a gay leading character. This enhance is seen within the introduction of gay figures on numerous programs such as for instance Spin City, ER, Dawson’s Creek, and Buffy the Vampire Slayer, in addition to indicates that concentrate on homosexual figures in leading functions such as for example Will and Grace and it is All general. In addition, cable channels have actually included programs such as for instance Queer as Folk, Six Feet Under, and Oz that depict homosexual figures much more complex plot lines sufficient reason for more explicit sexual actions.

Even though existence of lgbt figures could have increased recently on both commercial broadcast and cable systems, it really is ambiguous exactly exactly how usually television addresses the intimate problems and issues of intimate minorities.

As noted previously, when homosexual and characters that are lesbian been incorporated into programs, they usually have frequently been portrayed in asexual contexts. Furthermore, almost all of just exactly what was posted up to now about homosexuality and tv happens to be qualitative (including solitary show instance studies), centering on just just how particular programs have actually portrayed homosexual characters. Although many content analyses have actually evaluated the quantity of sexual content shown on tv generally speaking (Cope Farrar & Kunkel, 2002; Greenberg et that is al; Kunkel et al., 1999, 2003; Kunkel, Cope Farrar, Biely, Maynard Farinola, & Donnerstein, 2001; Sapolsky & Tabarlet, 1991; Ward, 1995), none have actually reported in the prevalence of intimate portrayals and speak about sexual dilemmas associated with gays, lesbians, or bisexuals.

This paper centers around factors evaluating content that is nonheterosexual had been included as an element of two bigger content analyses examining intimate content more broadly on US tv.

Information through the 2001 2002 and 2002 2003 television periods are acclimatized to respond to questions in regards to the prevalence and regularity of intimate behavior and talk that is sexual to nonheterosexuals. Specifically, the information analyses address two broad research concerns: (1) as to what extent are nonheterosexual intimate themes, particularly intimate behavior and speak about sex, found in tv development general and exactly exactly exactly what habits emerge across system genres, system types, and prime time versus nonprime time development? (2) When nonheterosexual content that is sexual take place, what’s its regularity and exactly how does it differ across genres, style of community, and prime time versus nonprime time development?

System Examples

A 3 composite week sampling plan ended up being utilized to acquire two big annual random types of tv programs of interest that is greatest to adolescents and therefore were comprehensive of many sections associated with the tv industry. Programs were taped from 11 channels 6 broadcast that is commercial (ABC, CBS, Fox, NBC, UPN, and WB) and 5 cable systems (BET, Cinemax, HBO, MTV, and Showtime). The Steve Harvey Show, Moesha, Fresh Prince of Bel Air, One on One); WB, which tailors its programming to white youth, with programs such as Gilmore Girls, 7th Heaven, Sabrina, and Smallville; and MTV, which shows music videos and other programs (e.g., dating reality shows) watched by many teens and young adults because the content analyses were part of a larger research project on television exposure and adolescent sexuality, several networks were included because of their appeal to young audiences including UPN, which televises a substantial number of programs with young African American characters ( e.g.

Composite week sampling designs have already been found in past content analysis studies to get representative types of tv development (Kunkel et al., 1999, 2001, 2003; Madden & Grube, 1994; Wallack, Grube, Madden, & Breed, 1990; Wilson et al., 1997). This sampling strategy involves randomly choosing times of the week or certain time slots for recording over many weeks to lessen possible bias that would be introduced if all taping were done in just a solitary calendar week. Recording associated with test happened mainly more than a 7 period in the fall each year week. Because season premiere episodes are staggered through the entire thirty days of September, we started taping once all nonsyndicated show were showing episodes through the current period. Each three different days of the week were randomly selected for taping from all 11 stations, with all seven days of the week represented three times in the sample week. The 8 hour time block for taping extended from 3:00 p.m. (of which time youth that is most are away from college) to 11:00 p.m. (through prime time). The entire process of recapturing missed episodes (like those which is why the satellite sign ended up being lost or even the show was pre empted by sporting or any other unique events) proceeded for the winter time.

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